{"id":1593,"date":"2017-04-11T16:07:12","date_gmt":"2017-04-11T15:07:12","guid":{"rendered":"http:\/\/theatre-petit-louvre.fr\/avignon\/?page_id=1593"},"modified":"2017-05-22T20:49:25","modified_gmt":"2017-05-22T19:49:25","slug":"maldoror-chant-6","status":"publish","type":"page","link":"https:\/\/theatre-petit-louvre.fr\/avignon\/maldoror-chant-6\/","title":{"rendered":"MALDOROR\/CHANT 6 (cr\u00e9ation)"},"content":{"rendered":"<p><strong>d&rsquo;Isidore Ducasse dit Lautr\u00e9amont, Mise en sc\u00e8ne Michel Raskine<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1826 size-full\" src=\"http:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror.jpg\" alt=\"\" width=\"900\" height=\"370\" srcset=\"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror.jpg 900w, https:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror-150x62.jpg 150w, https:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror-300x123.jpg 300w, https:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror-768x316.jpg 768w, https:\/\/theatre-petit-louvre.fr\/avignon\/wp-content\/uploads\/2017\/04\/maldoror-624x257.jpg 624w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p><span style=\"color: #ff6600;\"><strong>Vie et transfiguration de Mervyn<\/strong><\/span><\/p>\n<p><strong>Fr\u00e8re en audace et libert\u00e9 d\u2019Arthur Rimbaud, Ducasse\/Lautr\u00e9amont invente, pour notre d\u00e9lice et notre effroi, la figure de Maldoror, h\u00e9ros hors pair, narrateur et sujet tout \u00e0 la fois, fascinante incarnation du Mal. Il \u00e9labore pour l\u2019occasion une langue \u00e9tincelante et ironique, parfaite incitation \u00e0 fabriquer du th\u00e9\u00e2tre.<\/strong><\/p>\n<p>\u00ab\u00a0Isidore Ducasse a \u00e9crit \u00a0sous le nom de comte de Lautr\u00e9amont, \u00ab\u00a0Les Chants de Maldoror\u00a0\u00bb, \u00a0\u00ab\u00a0sans doute l&rsquo;oeuvre la plus corrosive, la plus fascinante, la plus insolite de toute la litt\u00e9rature fran\u00e7aise, un chef-d\u2019\u0153uvre d\u2019une foudroyante originalit\u00e9 \u00bb, \u00e9crivait Philippe Soupault dans une introduction \u00e0 l\u2019\u0153uvre de ce jeune homme de vingt-trois ans, m\u00e9connu de son vivant, port\u00e9 au firmament des po\u00e8tes aux c\u00f4t\u00e9s de Rimbaud par les surr\u00e9alistes. Une \u0153uvre rebelle, un texte inclassable o\u00f9 folie et humour noir rivalisent.\u00a0\u00ab Il n&rsquo;est pas bon, \u00e9crit l\u2019auteur, que tout le monde lise les pages qui vont suivre ; quelques-uns seuls savoureront ce fruit amer sans danger. \u00bb Et, de rajouter cyniquement\u00a0: \u00ab\u00a0Allez y voir vous-m\u00eames si vous ne voulez pas me croire.\u00a0\u00bb\u00a0!<\/p>\n<p>\u00ab\u00a0Et si nous suivions cet inqui\u00e9tant conseil ?\u00a0\u00bb, nous dit Michel Raskine qui porte au th\u00e9\u00e2tre le 6<sup>\u00e8me<\/sup> et dernier chant, \u00ab\u00a0sorte de petit roman\u00a0\u00bb en soi. Avec s\u00e9rieux et humour, trois jeunes acteurs d\u2019aujourd&rsquo;hui vont donc raconter, une heure durant, la trajectoire incandescente de Mervyn, adolescent blond et anglais de \u00ab\u00a0seize ans et quatre mois\u00a0\u00bb, dans le nouveau Paris nocturne de 1869, entre la place Vend\u00f4me et le Panth\u00e9on.\u00a0\u00bb<\/p>\n<p>Un r\u00e9cit initiatique, mais aussi conte noir, roman ultime, chant d\u2019amour et chant de haine, \u00e9pop\u00e9e lyrique, journal intime, chronique parisienne et l\u00e9gende fran\u00e7aise, sc\u00e9nario \u00e9pistolaire ou feuilleton populaire, que d\u00e9cid\u00e9ment, oui, nous vous conseillons d&rsquo;aller y voir par vous-m\u00eames!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>d&rsquo;Isidore Ducasse dit Lautr\u00e9amont, Mise en sc\u00e8ne Michel Raskine Vie et transfiguration de Mervyn Fr\u00e8re en audace et libert\u00e9 d\u2019Arthur Rimbaud, Ducasse\/Lautr\u00e9amont invente, pour notre d\u00e9lice et notre effroi, la figure de Maldoror, h\u00e9ros hors pair, narrateur et sujet tout \u00e0 la fois, fascinante incarnation du Mal. Il \u00e9labore pour l\u2019occasion une langue \u00e9tincelante et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[11,10],"tags":[],"class_list":["post-1593","page","type-page","status-publish","hentry","category-11","category-salle-van-gogh"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MALDOROR\/CHANT 6 (cr\u00e9ation) - Le Petit Louvre<\/title>\n<meta name=\"description\" content=\"Chaque \u00e9t\u00e9, un th\u00e9\u00e2tre au c\u0153ur d&#039;Avignon, Festival off : des textes, des auteurs, des autrices, des acteurs, des actrices. 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Il \u00e9labore pour l\u2019occasion une langue \u00e9tincelante et\u2026","_links":{"self":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/1593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/comments?post=1593"}],"version-history":[{"count":10,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/1593\/revisions"}],"predecessor-version":[{"id":1907,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/1593\/revisions\/1907"}],"wp:attachment":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/media?parent=1593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/categories?post=1593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/tags?post=1593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}