{"id":4807,"date":"2026-04-13T16:54:12","date_gmt":"2026-04-13T15:54:12","guid":{"rendered":"https:\/\/theatre-petit-louvre.fr\/avignon\/?page_id=4807"},"modified":"2026-06-27T07:52:35","modified_gmt":"2026-06-27T06:52:35","slug":"pl26-olympe-audouard","status":"publish","type":"page","link":"https:\/\/theatre-petit-louvre.fr\/avignon\/pl26-olympe-audouard\/","title":{"rendered":"PL26 – OLYMPE AUDOUARD"},"content":{"rendered":"\n

OLYMPE AUDOUARD, PREMI\u00c8RE FEMME JOURNALISTE<\/strong>
de Fran\u00e7ois de Mazi\u00e8res<\/em><\/h2>\n\n\n\n

CR\u00c9ATION 2026<\/strong><\/strong><\/p>\n\n\n\n

11h40<\/strong> – SALLE VAN GOGH<\/strong>
du 4 au 25 juillet 2026 . Rel\u00e2che le jeudi ( 9, 16 et 23 juillet)<\/strong>
Dur\u00e9e 1h15<\/strong> – A partir de 10 ans – Tarifs A 20\/14\/10<\/strong> euros<\/strong>.<\/p>\n\n\n\n

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R\u00e9servez vos places<\/a><\/div>\n<\/div>\n\n\n\n
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Mise en sc\u00e8ne de Martin Loizillon<\/strong><\/em>

Avec Gwena\u00ebl Ravaux et Nicolas Rigas<\/strong><\/p>\n\n\n\n

Composition Sonore : Olivier Charade<\/strong>
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Production : Th\u00e9\u00e2tre du Petit Monde (Lic. R-2021-013983)

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\u00abConnaissez-vous Olympe Audouard ? \u00bb <\/strong>
\u00ab Olympe Audouard ? Vous voulez dire Olympe de Gouges ? \u00bb <\/strong>
\u00ab Non Olympe Audouard ! \u00bb. <\/strong>
Premi\u00e8re femme journaliste fran\u00e7aise, n\u00e9e en 1832, cette aventuri\u00e8re traversa de mani\u00e8re \u00e9pique tout le 19\u00e8me si\u00e8cle, rencontrant et c\u00f4toyant les grandes figures de son temps, elle fut l\u2019amie intime de Th\u00e9ophile Gautier, Alexandre Dumas, ou encore Victor Hugo. Son temp\u00e9rament libre et ind\u00e9pendant lui valu les foudres de nombreux ennemis dont Jules Barbey d\u2019Aurevilly et le baron Haussmann. Une femme audacieuse et pr\u00e9curseure qui fonda son propre journal, voyagea \u00e0 travers le monde entier, participa \u00e0 la Commune de Paris et fut une figure majeure du f\u00e9minisme fran\u00e7ais dans une \u00e9poque en pleine transition politique et sociale.<\/p>\n\n\n\n

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R\u00e9servez vos places<\/a><\/div>\n<\/div>\n\n\n\n

LA PRESSE EN PARLE<\/strong><\/p>\n\n\n\n

Coup d\u2019Oeil<\/strong> \u2022<\/strong> S’appuyant sur une sc\u00e9nographie compos\u00e9e de meubles et de caract\u00e8res de typographie, Martin Loizillon insuffle un mouvement constant au r\u00e9cit de cette femme de caract\u00e8re. Les changements de lieux et d’\u00e9poques s’encha\u00eenent dans une belle esth\u00e9tique. La valse des personnages, incarn\u00e9s par un Nicolas Rigas, en tr\u00e8s grande forme, s’int\u00e8gre harmonieusement aux changements de d\u00e9cors. Quant \u00e0 Gwena\u00ebl Ravaux, qui incarne Olympe Audouard, elle porte ce r\u00e9cit riche d’informations et d’\u00e9motions d’une main de ma\u00eetre. Bravo.
Le Figaro<\/strong> \u2022<\/strong> L\u2019\u00e9dile est aussi dramaturge et Versailles est son th\u00e9\u00e2tre. La pi\u00e8ce est un hommage \u00e0 Olympe Audouard, premi\u00e8re femme journaliste. Elle est mise en sc\u00e8ne par Martin Loizillon et interpr\u00e9t\u00e9e par Gw\u00e9na\u00ebl Ravaux et Nicolas Rigas. Olympe Audouard fut une aventuri\u00e8re, une proto f\u00e9ministe qui a c\u00f4toy\u00e9 les grands hommes de son \u00e9poque : Victor Hugo, Alexandre Dumas, le baron Haussmann et bien s\u00fbr Th\u00e9ophile Gautier qui l\u2019encouragea \u00e0 lancer son premier journal, Le Papillon. Fran\u00e7ois de Mazi\u00e8res sait nous faire voyager et remonter le temps.
Culture Blog Snes<\/strong> \u2022<\/strong> Fran\u00e7ois de Mazi\u00e8res a \u00e9crit cette pi\u00e8ce en s’inspirant des M\u00e9moires d’Olympe Audouard, faisant alterner monologues et sc\u00e8nes tir\u00e9s de ses \u00e9crits, \u00e0 travers lesquels ressort le portrait d’une femme d\u00e9termin\u00e9e, patriote et r\u00e9publicaine, \u00e0 l’esprit libre, dr\u00f4le et m\u00eame mystique \u00e0 l’occasion.
Martin Loizillon assure l’adaptation et la mise en sc\u00e8ne. La sc\u00e9nographie d’Alexandre Camerlo \u00e9voque une \u00ab casse d’imprimeur \u00bb avec ses tiroirs. Nicolas Rigas assure tous les r\u00f4les masculins, le p\u00e8re, Th\u00e9ophile Gautier en train de peindre, \u00c9mir Abd el Kader dans une temp\u00eate de sable, Haussmann altier ou juge dont le bonnet d\u00e9passe de la casse d’imprimerie.ll chante aussi Le temps des cerises lorsqu’il s’agit de la Commune. Gw\u00e9na\u00ebl Ravaux porte l’enthousiasme, l\u2019ironie, la \u00a0d\u00e9termination, la passion de la libert\u00e9 de cette Olympe moderne et f\u00e9ministe si attachante jolie d\u00e9couverte.
Onsortoupas.fr<\/strong> \u2022<\/strong> La pi\u00e8ce de Fran\u00e7ois De Mazi\u00e8res rend hommage \u00e0 cette femme incroyable, qui fut la premi\u00e8re femme journaliste. Martin Loizillon a le sens du verbe et de l\u2019image. Pour offrir \u00e0 Olympe une juste reconnaissance, il fallait une com\u00e9dienne enthousiaste pour la camper. Gw\u00e9na\u00ebl Ravaux \u00e9vite les pi\u00e8ges, on sent qu\u2019elle a pour son personnage beaucoup de tendresse. Jamais m\u00e9g\u00e8re ou passionaria, toujours d\u00e9termin\u00e9e, curieuse, voire coquine\u2026
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OLYMPE AUDOUARD, PREMI\u00c8RE FEMME JOURNALISTEde Fran\u00e7ois de Mazi\u00e8res CR\u00c9ATION 2026 11h40 – SALLE VAN GOGHdu 4 au 25 juillet 2026 . Rel\u00e2che le jeudi ( 9, 16 et 23 juillet)Dur\u00e9e 1h15 – A partir de 10 ans – Tarifs A 20\/14\/10 euros. Mise en sc\u00e8ne de Martin Loizillon Avec Gwena\u00ebl Ravaux et Nicolas Rigas Composition […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"tags":[],"class_list":["post-4807","page","type-page","status-publish","hentry"],"yoast_head":"\nPL26 - OLYMPE AUDOUARD - Le Petit Louvre<\/title>\n<meta name=\"description\" content=\"Chaque \u00e9t\u00e9, un th\u00e9\u00e2tre au c\u0153ur d'Avignon, Festival off : des textes, des auteurs, des autrices, des acteurs, des actrices. 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Mise en sc\u00e8ne de Martin Loizillon Avec Gwena\u00ebl Ravaux et Nicolas Rigas Composition\u2026","_links":{"self":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/4807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/comments?post=4807"}],"version-history":[{"count":23,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/4807\/revisions"}],"predecessor-version":[{"id":5478,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/pages\/4807\/revisions\/5478"}],"wp:attachment":[{"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/media?parent=4807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/categories?post=4807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre-petit-louvre.fr\/avignon\/wp-json\/wp\/v2\/tags?post=4807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}